Flower Rose Tattoos Design

Flower Rose Tattoos Design

A Quartet of Tattoos from Greg

I met Greg outside of Madison Square Garden last fall, and he happily shared several of his tattoos, inspired by magic and mythology. On his upper left arm is this wizard:

On his upper right arm, he shared this dragon:

Below that, on his forearm, is this fiery skull:

And, in a tribute to his Irish heritage, is this coat of arms, with the Irish colors:

Greg credited Eddie and Ray, at Lucky Hearts Tattoo in Jersey City, New Jersey, as the artists responsible for his work.

Thanks to Greg for sharing his tattoos with us here on Tattoosday!

Niki's Memorial Foot

Alas, with winter setting in, spotting tattoos in public is seasonably challenging. Thank goodness for ink on uncovered extremities, like hands and the occasional foot!

Case in point, earlier this month I met Niki in Penn Station after spotting this dagger on her foot:

She had this, one of her three tattoos, done three or four years ago a couple of years after her father had passed away.

It is a memorial that is based on a necklace her dad wore. When I asked her, after the fact, if she still had the necklace, she said she didn't, but said it was a lot like this one. She added "my dad bought it the Christmas before he passed away and it really showed off his sarcasm and style because he was very much into motorcycles and whatnot".

Wisely, in my opinion, she kept the design, but excised the words on the necklace from the tattoo!

Niki had this done by Marc at Ink Link Tattoos & Piercings in West Palm Beach, Florida. Thanks to Niki for sharing her tattoo with us here on Primitive Tattoo!

Tattoos I Know: Paul's Taíno Ink

Last summer, my friend Paul had some new work done by Pierre at The Fort Apache Tattoo Studio near Penn Station. You can see some of his old work here and here and here and here (yes, he's a regular!).

Fort Apache is up several flights of stairs, but it is conveniently close to my day job, which makes up for the aerobic ascension to the shop on 31st Street.

This is what Paul had tattooed on his right forearm:

These four symbols are petroglyphs from the Taíno culture in Puerto Rico. They are one way Paul has chosen to acknowledging his and his ancestors' culture, in ink.

From top to bottom, the symbols each have literal meanings, and then personal meanings for Paul. The triangular piece is a zemis, pointing in three directions - to the sky and the Creator, to the underworld and the realm of the dead, and to the world of the living.

The second petroglyph is Sol, or the sun and the fourth design is the coqui, or frog. Thanks once again to Paul for sharing his latest installment of ink here with us on Tattoosday!

Tattoorism: Sean Returns, Part 2

Last week, I shared more of reader Sean's vast tat-alog here. It's time to finish off our inventory of this very generous fan o' the site. Let's see what we have:

...I got a clipper ship on my upper arm.  The ship is navigating through a background of clouds and lightning bolts and has a banner underneath reading “Hope.”  Its meaning follows the same idea behind my anchor tattoo.  Hope is a huge part of having a positive mental attitude, which I try (sometimes with little luck, of course) to hold at all times.  It’s a reminder that you can make it through stormy parts of your life, no matter how bad they get.  It’s also done in the traditional style I love so much.  The tattoo was done by Mike Schweigert at Electric Tattoo in Bradley Beach, NJ.

While attending [the 2010] Philadelphia Tattoo Arts Convention, I decided to get a tattoo to commemorate my first convention.  For as many years as tattoos have been a part of my life, this was my first convention...I got a blue rose with a candle spouting out of it in between my sparrows and flower on my outer elbow. 

I’m a firm believer in everyone having a different reasoning for getting tattoos.  Some are used as place markers in one’s life, some are used to remember an event, some have deep profound meanings and some are just aesthetically pleasing. I could probably come up with some in depth meaning behind the tattoo, but in the end, I got it to commemorate my first tattoo convention and that’s pretty much the only reason.  Done by Rocco at Death or Glory Tattoos in Westbrook, Maine.

Finally, I got my outer elbow to forearm done with a snake coiling through a skull and dagger and impaling itself on the dagger’s blade.  

I usually try to go out of my way to ensure that my friends/family/other people in general are happy, more often than I would like to admit, putting their happiness before my well-being.  This tattoo serves as a reminder for me not to do that so much, and to focus on myself sometimes.  The snake can be viewed as a protection figure, coiling around and through the rest of the tattoo, but has also caused injury to itself by doing so.  Basically, its my reminder that as much as I would like to help others, I need to keep my own happiness and well being in mind before I choose which action to take or I’ll end up injuring myself in the process.  Done by Mike Schweigert at Electric Tattoo in Bradley Beach, NJ.

A hearty thanks to Sean for continuing to share his tattoos with us over the years!

Rilke On the Flesh

It's February 1, which means we are only two months away from the start of a new edition of The Tattooed Poets Project, and I have begun assembling the first posts for this annual extravaganza.

What better way to acknowledge this looming event, but to post a poetic tattoo?

The following piece is one that I spotted at the end of last summer on Penn Plaza. Belonging to a young lady named Rosa, it has been one of my few remaining 2010 leftovers:

What I noticed first was not that this was a line of verse, but that it was placed on the body in an unusual way. Most lines of poetry, when manifested on flesh, are on the arms and wrist, or the lower legs and occasionally a back. This tattoo runs from the front of to her back, vertically climbing and descending from her shoulder.

The line is in German, and represents a piece from Rainier Maria Rilke's Duino Elegies.

Ein jeder Engel ist schrecklich

Or, in context:

Who, if I cried out, would hear me among the angels’
Hierarchies? and even if one of them pressed me
suddenly against his heart: I would be consumed
in that overwhelming existence. For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.

 Those are the opening lines of the first elegy, translated by Stephen Mitchell.

Rosa didn't give me much insight as to why she had the line tattooed, but it is quite a powerful statement.

When I asked her who the artists was, she replied only that it was someone in Brooklyn that went under the name "The Milk Maid". This sounded familiar at the time, but I couldn't quite put my finger on it. Of course, I came to be reminded that The Milk Maid is the moniker of Joy Rumore, at Twelve 28 Tattoo, quite a wonderful artist, whose work has appeared previously on Tattoosday here.http://primitive-tattoo.blogspot.com/http://primitive-tattoo.blogspot.com/

Rilke On the Flesh

It's February 1, which means we are only two months away from the start of a new edition of The Tattooed Poets Project, and I have begun assembling the first posts for this annual extravaganza.

What better way to acknowledge this looming event, but to post a poetic tattoo?

The following piece is one that I spotted at the end of last summer on Penn Plaza. Belonging to a young lady named Rosa, it has been one of my few remaining 2010 leftovers:

What I noticed first was not that this was a line of verse, but that it was placed on the body in an unusual way. Most lines of poetry, when manifested on flesh, are on the arms and wrist, or the lower legs and occasionally a back. This tattoo runs from the front of to her back, vertically climbing and descending from her shoulder.

The line is in German, and represents a piece from Rainier Maria Rilke's Duino Elegies.

Ein jeder Engel ist schrecklich

Or, in context:

Who, if I cried out, would hear me among the angels’
Hierarchies? and even if one of them pressed me
suddenly against his heart: I would be consumed
in that overwhelming existence. For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.

 Those are the opening lines of the first elegy, translated by Stephen Mitchell.

Rosa didn't give me much insight as to why she had the line tattooed, but it is quite a powerful statement.

When I asked her who the artists was, she replied only that it was someone in Brooklyn that went under the name "The Milk Maid". This sounded familiar at the time, but I couldn't quite put my finger on it. Of course, I came to be reminded that The Milk Maid is the moniker of Joy Rumore, at Twelve 28 Tattoo, quite a wonderful artist, whose work has appeared previously on Tattoosday here.

Thanks to Rosa for sharing this lovely line of verse with us here on Tattoosday!